How Have the Functions of Art Changed Over the Years

Notation: If there are problems with any of the hypertext links to artists, styles, or artworks found throughout the text in this section, you can access a general index of artists or this similar index via theselinks to await at works by near any artist you wish. Y'all tin do your own web search for individual artists too.

The Evolution of Modernistic Fine art in the US

Purposes of Art

Art is created and enjoyed by many people for many reasons. However, ane of the things that art does is extend and expand our shared common visual linguistic communication. When new visual ideas are outset introduced by the artist, they are frequently seen as shocking, and perchance fifty-fifty as incomprehensible. However, with time the all-time and most effective of these ideas are accepted. In that location is nothing harder than trying to grasp what was shocking or illuminating nearly certain images, or ways of making images, once the shock is gone, and nosotros accept all absorbed this bit of visual data into our own vocabularies. Artists evidence u.s. new ways to see familiar things, and how to translate new situations and events through various kinds of visual shorthand. This creation of visual linguistic communication may be the artist's intention, or it may be a side effect of other purposes. So what are some of the purposes that art fulfills?

Probably the oldest purpose of art is equally a vehicle for religious ritual. From the prehistoric cave paintings of France, to the Sistine Chapel, art has served organized religion. For centuries the Church was the primary patron of artists. In traditional societies even today, the primary purpose of art is religious or ceremonial.

Fine art may also serve as a commemoration of an important event. The upshot may be of major historical importance, such as the coronation of Josephine by Napoleon as recorded past the artist David, or information technology may exist important simply to the participants, like the paradigm of a hymeneals or a baptism.

Art has often served equally propaganda or social commentary. Propaganda images are attempts to persuade the states toward particular viewpoints or deportment promoted past public or private institutions such every bit political parties, lobbyists, governments, or religious groups. The propaganda purpose may exist one we approve of, such equally Earth War Ii efforts to become women behind the war attempt, as epitomized in Norman Rockwell's Rosie the Riveter. It might also exist a purpose we disapprove of. In either case, the power of visual images has frequently been used to persuade masses of people to accept beliefs, have action, or follow leaders. The artist equally social commentator may just make us more than enlightened of the human condition as he/she perceives information technology, without suggesting particular activeness. All societies engage in propaganda, but here are some links to propaganda art created in China, and by the Allies during Globe State of war I. and during World War 2.

Fine art may exist simply a ways of recording of visual data-- telling the "truth" almost what nosotros see. After the Renaissance, artists became preoccupied with new ways of capturing reality such as the use of linear perspective, and the realism possible through the utilise of oil painting technique. In time, artists like Courbet and Cezanne (and many who followed them) began in various means to challenge the basic idea of what it is for an image to be true and real.

Art tin also exist seen as pleasing the eye- creating beauty. Yet the idea of beauty, like that of truth, has been challenged in the mod era. At ane time, the artist was expected to portray perfection-- lofty and noble ideals of beauty. Yet as social club became more industrialized and democratic, many thoughtful people began to augment their notions of what could be beautiful. For example, Rembrandt could gloat the tactile quality of paint and colour in his picture of a side of beefiness, and Courbet and Millet could see beauty in the life of ordinary peasants.

Art is also a powerful means of storytelling. This was a common device of religious art of the Middle ages, for example in the frescoes by Giotto from the Church of San Francesco de Assisi , where sequences of panels were used to tell stories from the Scriptures or lives of saints. It is besides the great gift of Norman Rockwell, who had the power to tell powerful and subtle stories most ordinary people and events, in only one picture. A picture is truly worth a thousand words.

Art can also convey intense emotion.The expressive ability of fine art tin exist seen in literal ways in the capturing of facial expression and trunk language. Certain religious fine art, and the works of expressionists such as Munch or Kirchner are charged with powerful emotions. Picasso, in works such as Guernica (also an example of powerful social commentary and storytelling) is able to communicate intense emotions. This is accomplished variously by use of dramatic or exaggerated color, light, form, and/or other elements.

In any instance, one of the main functions of art is to interpret the subject matter at hand. Subject matter does not change all that much over time. Although new subject affair has evolved, the human condition, nature, and events yet continue to capture the attention of artists. The media used have changed relatively lilliputian; though new materials have appeared in this century, the conventional media go on to be used. Nor can we say that the quality or artistic merit of art works has increased or lessened with time. Still, throughout the course of history as society has changed, so also has the interpretation of specific discipline matter. A portrait executed by Matisse in 1907 could not be confused with ane done by van Dyck in the 1630s.Fifty-fifty mural is reinterpreted in the context of a changing earth. Each work is an expression of the subject in the context of the values, culture, and events of its specific era.
This web site Copyright © 1995 by Charlotte Jirousek
Questions or comments? Let u.s. know at caj7@cornell.edu.

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Source: http://char.txa.cornell.edu/ART/introart.htm

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